Up on Signal Hill one cool and drizzly morn I spotted this young lady at the fence apparently contemplating the view and so I snapped her photo.
Some moments later she approached and asked about my camera. This in itself didn't seem unusual since its not everyday one see a person shooting with a pre-WWII Voigtlander Bessa. She seemed uncommonly friendly however, and pretty soon it all made sense when she invited me to attend her church.
This will explain why I call this image The Evangelist.
I beat a hasty (yet polite) retreat, by the way.
Voigtlander Bessa with Tri-X 400 film which I processed in Rodinal.
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