Wednesday, October 31, 2012
Glasswares
Glasswares at the Golden West Swapmeet one recent Sunday morning. I was testing my new "Debonair 120" medium format plastic toy camera. The film was Fuji Acros 100.
Sunday, July 15, 2012
Thursday, May 24, 2012
Broadway Is A One Way Street
Sunday, May 6, 2012
Late Afternoon Chat
Thursday, May 3, 2012
Monday, April 23, 2012
Live Healthy
Friday, April 20, 2012
A Celestial Fireball Illuminates a Game of Soccer
Vivitar PN2011 with flipped lens and Memories brand 200 ASA color film that I cross-processed in Rodinal.
Thursday, April 19, 2012
A Cold, Wet Life on Venice Beach
April 13, 2012. Yashica Electro 35 GSN with Arista Premium 400 film pushed to 800. Developed in Rodinal 1:50.
Wednesday, April 11, 2012
Monday, April 2, 2012
Sunday, April 1, 2012
Saturday, March 17, 2012
Trader Joe's
Took this with my Vivitar PN2011 with flipped lens and "Memories" brand 200 ASA color film that I cross-processed in Rodinal black and white developer.
Tuesday, February 21, 2012
Buca
Buca Di Bepo Restaurant, Huntington Beach, CA. Olympus XA and Fomapan 100 film (exp). R09 1:100 for 60 mins.
Saturday, February 18, 2012
Thursday, February 16, 2012
i-Steps
The stairs at the Apple store at The Grove in Los Angeles. Shot with the Konica Autoreflex TC and Kodak Plus X film which I developed in Rodinal 1:100 for 90 minutes.
Monday, February 6, 2012
Saturday, February 4, 2012
Friday, January 20, 2012
Huntington Beach Public Library
I took this with a Mamiya C330 and Kodak Ektar 100 film. The film is 120 format, which is usually square. However, I had to crop this image to remove a wall that was dominating the lower portion of the image.
Monday, January 16, 2012
Dog in the Fog
I put the camera--my Olympus XA on the ground to steady it--and snapped this pic. Wish I had been able to point it more upward since I got too much foreground in the image. However, the upper half of the image I like. Can you see my dog, Sadie?
Olympus XA with Kodak Ultramax 800 film.
Saturday, January 7, 2012
A Getty Detail
Underexposed I think, hence the grain. 20 second exposure as I recall, with Ilford Delta 100 film in the Konica Autoreflex TC with 50mm f1.7 Hexanon AR lens. Developed in Rodinal (R09 One Shot) at 1:25 dilution. December 31, 2011.
Friday, January 6, 2012
Getty Stairwell
Photo taken at the Getty Center on Dec 31, 2011. Konica Autoreflex TC, 50mm Hexanon AR lens, Ilford Delta 100 film developed in Rodinal (R09 One Shot), diluted 1:25.
Thursday, January 5, 2012
Shadows and Light at the Getty
An indoor wall at The Getty Center caught my attention due to the shadows which I thought were very nice indeed. I took this shot on December 31, 2011.
Used my Konica Autoreflex TC for this shot. The lens was a Konica Hexanon AR 50mm f1.7. The film was Kodak BW400CN which expired in May of 2009. I estimated the exposure since I have no batteries for the camera. (Don't know if the meter works anyway.)
Tuesday, January 3, 2012
Diners at the Getty
The Getty Center in Los Angeles on December 31, 2011. Dining area. Shot with Konica Autoreflex TC and 50mm Hexanon AR lens. Film was Kodak BW400CN, expired in May 2009 and shot at an estimated 200 ASA to make up for the expiration time.
Monday, January 2, 2012
Hole in the Getty Wall
Taken at The Getty Center with the Konica Autoreflex TC and Ilford Delta 100 film. Developed in Rodinal (R09) 1:25 for 9 mins.
The Little Boy and His Ghostly Father
This I took at The Getty Center in Los Angeles on December 31, 2011.
You can see the lad apparently transfixed by the illuminated fountains. Look a little to the left of the lad and you can see a figure leaning casually against a railing. That's a security officer I do believe. However, look between the lad and the officer and you will make out what looks like a shadow. That is the boy's father. (OK,...that's an assumption on my part to be sure, but certainly it was a fellow who was serving as the boy's guardian for that brief moment in history--which now belongs to me and me alone, by the way, except for any memory of the moment that a witness or participant may retain--yet why should they, so mundane was the moment?)
The father did not record well on the image because this was a 30 second exposure and he was busying himself with apprehending the lad, among other custodial duties. Indeed, you can see that the wee lad is a bit vague, too. Yet he stood long enough before recapture to be recorded quite clearly. Having no tripod I set the camera on the ground to make the exposure a steady one. That's why the big foreground.
I took this with my Cheap-as-chips-challenge camera--a Konica Autoreflex TC and Konica Hexanon AR 50 f1.7 lens--equipped with Ilford Delta 100 film which I developed in Rodinal 1:25 for 9 minutes.
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